Category Archives: Tools

What’s e-new?

By Andy Coulson

Microsoft Editor

By now many of you who use Word 365 will have noticed the new Editor pane that handles spelling and grammar checking. Microsoft describes this as an ‘intelligent writing assistant’, as it also brings in ‘Refinements’ – looking at, and suggesting alternatives for, things such as conciseness and clarity. Editor uses artificial intelligence (AI) to analyse the language used, and suggests amendments to improve the overall readability of the text.

So, the big question is: ‘Is it any good for editors?’ Well, that’s a very mixed answer, as a lot depends on personal taste. For instance, Editor opens in a bar at the right of the screen. I like this presentation, as it is clear and makes good use of white space around the text, making it easy to read, often in comparison to densely packed manuscripts. However, Paul Beverley makes a very good point in ‘Taming Word 365’ that this takes a lot of screen area, which is true. As an aside, Paul is developing a macro that will work like the old spellchecker. Your set-up and preferences, such as the type of screen(s) you use, may colour your view of this. I suspect it will end up being a very Marmite (for non-UK readers, a love-it-or-hate-it) type of feature.

Personally, I’m not sure how much the underlying spellchecker and grammar checker have changed. They can work with multiple languages (provided those are selected in the document). The defaults are broadly sensible and reflect good practice – for example, double spaces at the start of sentences are now flagged. Both give you alternatives and suggestions about changing the flagged word or phrase. The new sidebar allows you to review and amend things in a much more intuitive way than the right-click menu options (which I must admit to a particular dislike of). The options against each of the choices are also kept to a short list and are, broadly, sensibly chosen. One interesting feature is that there are Read Aloud and Spell Out options, and while I’m not sure how useful these are to me, I can see where they might be a help.

The grammar checker is very customisable, with simple descriptions in the options backed up by more comprehensive descriptions in the options (even via the dreaded right-click), perhaps backed with examples so you can decide whether or not to use the option. I noticed that it doesn’t, for example, check for the use of ‘which’ versus ‘that’, so it is not necessarily comprehensive or foolproof. There is still plenty of room for judgement, experience and author voice.

The big addition is the Refinements section that gives suggestions under the headings of Clarity, Conciseness, Formality, Inclusiveness, Punctuation Conventions and Vocabulary. These are all quite configurable through the options. I’m not a heavy user of this, so I don’t know whether the AI will improve the results, but my initial use left me underwhelmed. In some areas it was, to my mind, overly prescriptive and in others (eg Inclusiveness) it does not pick up very real problems. Again, I think the options could be better explained to give a sense of what the broader intention of the check is, allowing the user to make a more informed choice.

My main conclusion is that this feature is not aimed at editors, but at writers. The clue is in the name – it is targeted at being an editor replacement. At present I’m not overly worried about my job, but it is certainly a useful complement to a human editor. Compared with PerfectIt or Paul Beverley’s macros, it is clearly quite a blunt instrument. However, I don’t think that is an entirely fair comparison. Looking at it as a language professional perhaps misses the point of it. PerfectIt and macros allow you to focus in at a much more detailed level and adapt what you do to suit different clients. This is a level of depth that I’m not sure many writers will go to, particularly if they know the text will be further reviewed or edited. Editor will help many writers but tends towards homogenised text. This still leaves plenty of room for human editors to bring out the nuance and texture in the writing, and also to deal with the narrative thread through a piece of writing.

Andy Coulson is a reformed engineer and primary teacher, and a Professional Member of CIEP. He is a copyeditor and proofreader specialising In STEM subjects and odd formats like LaTeX.

 

 


‘What’s e-new?’ was a regular column in the SfEP’s magazine for members, Editing Matters. The column has moved onto the blog until its new home on the CIEP website is ready.

Members can browse the Editing Matters back catalogue through the Members’ Area.


Photo credits: Windows monitor – Johny vino on Unsplash

Proofread by Andrew Macdonald Powney, Entry-Level Member.
Posted by Abi Saffrey, CIEP blog coordinator.

The views expressed here do not necessarily reflect those of the CIEP.

What’s e-new?

By Andy Coulson

At the time of writing this I am in lockdown at home and realising the changes and compromises this means. Thinking back to when I started, technology has evolved so much that it has helped with these challenges in a way I couldn’t have imagined 15 years ago. So, I’ve compiled a list of technology-based or focused resources that I hope will prove of some help.

1. Help! How do I fix my computer?

I suspect this may be something we will all come up against sooner or later. The good news is that there are lots of good resources that can walk you through common problems. Even if your PC or Mac is down you can search on a smartphone and hopefully get yourself running again. Sites like wikihow.com; helpdeskgeek.com; dummies.com; techrepublic.com and Microsoft’s own answers.microsoft.com and support.microsoft.com are all helpful.

A carefully thought-through Google search will often be the best approach. For example, ‘Word 365 normal template’ gives good answers as to why Office 365 keeps flagging the normal.dotm as corrupted. It contains the version of Word and the specific item that is causing the issue. If your computer is giving a fault code or description, include that in the search too.

I’ve written before about backing up, spring cleaning and virus scanners, and all these tips and tools are still relevant. I’ve recently been pointed towards Microsoft’s Safety Scanner, which is an additional, occasional-use virus checker. It is good if you suspect you have a virus, as you can download and run a clean copy of the scanner (if you do have a virus, that may have compromised the scanner on your system).

Finally in this section, Microsoft Word itself is a prime cause of the air turning blue around my workspace. Again, Microsoft’s own support pages can be really good – support.office.com. Our own forums are also a good source of support (forums.ciep.uk), with many experienced word-wranglers being regular contributors. One of my favourite sources of help to answer ‘how to’ issues in Word is wordribbon.tips.net/index.html, and it is well worth subscribing to their newsletter.

2. Managing your time

While I’m at home I find I am facing two opposite problems with managing my time. The first is that it can be difficult to focus and stick at what you are doing. The second is the polar opposite of that: using work as a distraction and spending too long nose to screen. But we can use technology to help in both cases to nudge us in the right direction. I’ve written in the past about approaches based on the Pomodoro technique, which encourages you to keep going for a fixed amount of time, or conversely take a break from work after a fixed period of time. The suggestions here are two examples on that theme.

Forest is an app that tries to help you focus by making a game of focusing on a task. You set the timer for as little as 10 minutes through to 2 hours. Each time you start a stretch of work the app plants a virtual tree. Complete the stretch and you start a forest. Quit and your tree dies. It’s a simple idea and strangely addictive. You could use this either to build up your focus or to remind you to take a break.

Workrave is aimed at helping people recover from RSI, but is also a useful tool to encourage you to take breaks from the keyboard and mouse as you work. It produces gentle reminders, which you can configure, to take frequent microbreaks and longer breaks to step away from the computer, and you can even set a daily maximum.

3. Staying fit

Keeping healthy is one of the key things we are being encouraged to do, and there is a massive number of resources that have been made available in response to the lockdown. YouTube is a particularly good resource, and all the suggestions below can be found there.

Normally I’m a keen swimmer and cyclist, but am not getting very far (yes, pun intended!) with either at the moment. However, the Global Triathlon Network has a number of very accessible workout suggestions, despite the elite-sounding name.

If you have kids at home (or even if you don’t), Joe Wicks’s The Body Coach TV channel has a regular PE-with-Joe session. He also has a range of other home workouts that need little or no equipment and cater for a range of abilities.

Yoga is another home-friendly exercise, and I find it also helps undo the damage done by sitting in front of a computer for long periods. Yoga with Adrienne and Five Parks Yoga both offer a range of sessions, from basic, short beginner sessions through to longer, more advanced sessions. Headspace have also put a series of Move Mode sessions on YouTube, which are not traditional yoga, but more a meditative approach to movement.

Finally, I’ve really got into meditation as a way of having a break from everything. Headspace, Mindspace and Calm all have a range of shorter (10-minute) meditations freely available on YouTube. I am particularly enjoying some of Headspace’s Meditations from the American National Parks where you are encouraged to focus on sounds or colours instead of your breath.

I hope that is helpful to you. Stay safe, and we’ll hopefully get back to some more techie stuff next issue.

Andy Coulson is a reformed engineer and primary teacher, and a Professional Member of CIEP. He is a copyeditor and proofreader specialising In STEM subjects and odd formats like LaTeX.

 

 


‘What’s e-new?’ was a regular column in the SfEP’s magazine for members, Editing Matters. The column has moved onto the blog until its new home on the CIEP website is ready.

Members can browse the Editing Matters back catalogue through the Members’ Area.


Photo credits: Forest – B NW; keyboard Christian Wiediger, both on Unsplash

Proofread by Liz Jones, Advanced Professional Member.
Posted by Abi Saffrey, CIEP blog coordinator.

The views expressed here do not necessarily reflect those of the CIEP.

PerfectIt 4: an upgrade

With PerfectIt 4 now available, Dr Hilary Cadman, a long-time devotee of PerfectIt, reviews the updated program.

Daniel Heuman and the team at Intelligent Editing have heeded feedback from users and made this fabulous program even more impressive.

Simpler to start

PerfectIt has always been user-friendly, but now it is even more so, with an expanded Start panel. As soon as PerfectIt launches, it is immediately obvious which style is selected, and you can change it using the dropdown list in the Start panel rather than having to go to the ribbon. Also, with ‘Choose Checks’ upfront, it is quick and easy to see which tests are selected. Previously, if you deselected particular tests when running PerfectIt, it was easy to forget you’d done that, and then wonder why PerfectIt was missing things the next time you ran it (speaking from experience 😊).

Faster and cleaner

A major improvement from previous versions is the speed of PerfectIt 4. The initial step of assessing the document is impressively speedy, with it now taking only seconds for PerfectIt to complete its scan, even if your document is hundreds of pages long or contains lots of tables and data.

Another new feature of PerfectIt 4 that makes it faster is the function to fix errors. Whereas in previous versions the ‘Fix’ button sat to the right of the ‘Locations to check’ window, it now sits within that window, and each location to check has its own ‘Fix’ button. If you drag the task pane to make it wider, the ‘Locations to check’ window expands, making it easy to see each possible error in context. Thus, instead of having to click on a location, look at it in the document to see it in context and then return to the PerfectIt task pane to fix it, you can now work just within the task pane, saving time and effort.

Initially, I found that I was trying to click anywhere in the highlighted location to apply the fix, but once I realised that you need to have the cursor on the word ‘Fix’, it was fine. Activating the keyboard shortcuts (with F6) speeds up the process even more, because you can use one hand to move the mouse down the list and the other to click ‘F’ to apply a fix.

Also new are the little buttons near the top of the PerfectIt side bar that allow you to easily rerun the test that you’re in, or to open the whole list of tests and move on to an earlier or later one if you wish.

Styles made easier

Managing styles is another thing that’s better in PerfectIt 4. Creating a new style sheet based on an existing one used to involve exporting a style sheet, saving it to the desktop and importing it with a new name. Now, the whole thing can be done from within PerfectIt simply by opening ‘Manage Styles’ and selecting ‘New’ – this opens a window in which you can give your new style a name and say which style you want to base it on.

Another welcome style change is that the built-in styles are now preserved, but if you want to make a change to one of those styles (eg to UK spelling), PerfectIt will automatically create a new version of that style sheet (eg ‘My UK spelling’), which you can modify. Also, the built-in styles will automatically update if Intelligent Editing makes changes to them. A further useful new feature is the option to combine style sheets, nominating which style should override the other where they differ.

Finally, the style sheet editor, which works behind the scenes, was always a rather daunting part of PerfectIt, particularly in comparison to the front end of the program. The basic set-up looks much the same, but a welcome improvement is that changes to the style sheet editor now save automatically, rather than the user having to click on ‘Save and exit’ to save changes.

The verdict

I would highly recommend updating to PerfectIt 4. The upgrade is relatively cheap (currently only US$49/year – around £40 – for those already on subscription), and the benefits will be obvious immediately, particular in terms of time saving. Also, for those who are used to previous versions, the interface is sufficiently similar that updating won’t hold up your work.

If you’re still in doubt, why not give it a try. Free trials for permanent licence holders and new customers are now available (and any style sheets that created in PerfectIt 3 will automatically be brought into PerfectIt 4).

Disclosure: Hilary received a 2-year subscription to PerfectIt as an incentive to pen this review.

Hilary Cadman is a technical editor who has been using PerfectIt for nearly 10 years and has produced online courses to help fellow editors get the most out of the program.


This article originally appeared in the July/August 2019 issue of Editing Matters, the SfEP’s digital magazine.


Proofread by Emma Easy, Entry-Level Member.
Posted by Abi Saffrey, SfEP blog coordinator.

The views expressed here do not necessarily reflect those of the SfEP.

Systematising my working life

By Sue Browning

In all aspects of my life, I’m a great fan of systems that help me keep on top of stuff, as I find having a system frees my mind and memory for more important things. This applies to my work life too, of course; I always like to know where I am with project scheduling, prioritising work, timing, invoicing and record-keeping, and over the years I’ve explored a lot of tools for doing all these things. And, for me, all these systems have to be on the computer, as my handwriting has a half-life of approximately two hours.

Open diaryFor a long time, I used a mind map to keep a record of all my clients and projects, a Gantt chart to visualise my schedule, and a to-do list+time tracking program to keep track of what I have to do and by when and to record time spent, and I had a semi-automated system to generate invoices in Excel, saving them as pdfs to send to my clients. I’m also a demon for data, so I have 14 years’ worth of detailed information on income, clients, projects and timings, all in a set of interlinked spreadsheets, which also need to be kept in order.

However, I’m also a fan of not spending more time on admin than necessary, and none of these individual programs talked to any of the others, so there was always a certain amount of tedious (and error-prone) copying from one to another. I was therefore on the lookout for a way to automate more and to streamline my systems. I reviewed a lot of different software programs and online apps and found them too inflexible, too focused on the mechanics of invoicing, which is actually a very small part of my working efficiency. But, more crucially, they all lacked that visual scheduling element I was really looking for.

Then someone in one of the editing groups I frequent mentioned a web-based app called Cushion, and that seemed to fit the bill in that it appeared to provide a very flexible platform for visualising my long-term schedule, planning detailed workloads, tracking the time on each project and generating invoices – all in the same place. The free 30-day trial also reassured me that I could bend it to my will. The developers were also fabulously responsive to my questions, and this convinced me it was worth paying for, so at the start of my new financial year this April, I decided to give it a go.

After an initial time investment inputting client and project details and customising the various options, I have found it very easy to keep track of everything, and I have cut a significant amount of time from my various record-keeping activities.

A view from above

I particularly like the bird’s eye scheduling view as this shows at a glance how busy I am projected to be over the next few months (see the screenshot), so when I am offered a new project I can easily see when (or if) I can fit it in.

Sue's schedule in Cushion

Overview of my next few months’ work. The pale lines are projects I’m waiting to start, and the bright ones with a circle at each end are completed. Bright lines with arrows are ongoing, with the arrow head at ‘today’. Mousing over them pops up brief details and clicking takes me straight to the detailed project information page. The blue block shows the time I intended to take off over Christmas – ha ha!

To help further with organising and planning my work, below this chart is a client/project list that can be ordered in any way (I order it by due date), which I categorise into Active (projects I’m actually working on), Upcoming (where I’ve got the files but haven’t started), Planned (projects that are currently mere glints in their parent’s eyes but we have a target date, so they are lightly pencilled in), and Completed (categorisation is also customisable).

Time tracking

I’ve always kept a track of how long I take on each project, even when I’m not billing by the hour, as it helps in estimating fees, and I can do this easily in the timing area, where I can switch the timer on and off and assign it to a specific project/task. The timer shows green in the browser tab, too, which is a great reminder to switch it off, but the times can be easily edited if I do forget. As well as recording time, I can see how many hours I’ve worked on each project over the day or week, and I can also pull up overview reports according to client, project or time period. One of the fun things I like to do is label my timer with a particular task, so that at the end I can see how long I spent, say, checking references as a proportion of the whole project (typically about third, in case you’re wondering). (And yes, I do have an odd sense of fun.)

Work done – time to invoice

As well as the usual month-long, bill-at-the-end projects, I have a number of clients for whom I edit shortish pieces of work as and when they need them, and I send an itemised invoice at the end of each month. Before, I would track the time in my tracking app, transfer that and the task details to a client-specific spreadsheet, and then at the end of each month, I’d have to copy the details to my invoice. That was fine when I didn’t have many such clients, but now I have nearly a dozen, so my monthly invoicing run had become really quite time-consuming.

Now – at the click of a button – I simply pull the details (date, job name, rate and hours) from the Cushion timer into my invoice, download the pdf and send it to my client by email. (It is possible to send an invoice direct from the app – and reminders too, if you wish – but I don’t use this as it requires recipients to click a link, and some of my clients have automatic systems that need an actual attachment.)

Invoices appear in a list, sortable according to my whim, and they are displayed on a timeline too for a very quick overview (see screenshot).

Screenshot of invoices section of Cushion

My invoice timeline. Those with arrows at the end are awaiting payment, and it’s easy to see when they are due. Mousing over reveals a summary, and there’s a detailed list below. You can tell from this that I have a monthly invoicing round, and most of my clients pay really quickly.

Keeping organised and keeping records

All the data stored in the app can be downloaded as.csv files, openable in Excel, so as well as storing these as a backup, I have adapted my accounts spreadsheet, which records invoices and expenses each month and keeps a running total for the year, to extract the data from those files. And that feeds semi-automatically into that suite of historic spreadsheets I mentioned earlier.

Every Monday I receive an email with a list of outstanding invoices and active projects, which is a great way to start the week. And the system also sends me an email to tell me when an invoice is due.

Apart from the fact that the timeline displays make it very easy to visualise my schedule and workload, the best thing as far as I am concerned is that everything is interlinked, so I can click on a client’s name and it’ll take me to a page that shows me everything about that client – contact details, projects, invoices (paid and outstanding), total income from them this financial year, how long it takes them on average to pay me, and a lot more. All the features are easily edited, and it’s easy to find a way of looking at the data that suits my own way of thinking – helping me feel in control and better able to focus on the things that matter.

Sue Browning After a long and interesting career in speech technology research, Sue Browning turned to editorial work in 2005, finding another way to apply her interest in all things to do with language. Sue specialises in copy-editing linguistics and other humanities and social sciences for publishers and academic authors. When not prowling the halls of academia, she often finds herself walking on alien planets, wielding arcane magic and generally having fun with fantasy. When not editing, she likes to walk and cycle, and grow vegetables. Indoors, she likes reading (of course!) and word puzzles, especially cryptic crosswords.

 

Posted by Abi Saffrey, SfEP blog coordinator.

The views expressed here do not necessarily reflect those of the SfEP.

Getting permission to reuse published content: PLSclear

By Lucy Metzger

PLSclear is a free service to help editors and authors get permissions to reuse content quickly. The PLSclear people contacted the SfEP Council and invited us to watch a webinar on it, which I’ve just done.

Here’s some information provided by PLSclear, and then I’ll let you know a little about the webinar.

PLSClear say …

PLS clear logoPublishers’ Licensing Services introduce their free service for authors and editors seeking permission to reuse content.

If you’re planning to reuse extracts of third-party content in your own work, whether the extract is from a book, journal, magazine or website, and you are uncertain how to go about getting that permission, Publishers’ Licensing Services (PLS) can help you. They have developed PLS PermissionsRequest, a free service which streamlines the process of requesting permission.

From the webinar

Making a permission request

PLS Clear user interface

If you’re seeking permission to reproduce published content – an image, a chapter, a poem, a table – PLSclear lets you search for the publication on their database, which contains the catalogues of participating publishers. You can search on title, author, keywords or ISBN/ISSN. When you’ve found the work, you go through a series of forms to specify what you want to use and how you want to use it. You’re asked about the content type, number of words if it’s text, and the nature and purpose of your own publication (the one in which you intend to reproduce the material).

These requests are free, and there is no limit on the number of requests you can make. If you’re looking to clear multiple permissions, you can set up a ‘project’ that retains details so that you don’t have to keep re-entering them.

Getting the request to the publisher

When you’ve entered all the details, PLSclear generates a request and sends it to the publisher’s inbox. The publisher-facing side of the software allows for various levels of automation. A publisher may choose to assess each request in person, as it were; or they can tell PLSclear to make an automated or semi-automated assessment of requests, based on rules given by the publisher.

The publisher’s response

The publisher may decide to issue a free licence. In that case PLSclear will generate the licence, with the necessary legal wording, and send it to you. No money changes hands, either on the publisher’s part or on yours.

If the publisher wants to charge you a fee, PLSclear will generate a quote containing terms and conditions and send it to you. If you choose to pay the fee requested, you can make payment through PLSclear and you’ll then be sent your licence; or if you want to negotiate, you can do so; or you can walk away. If you do pay a fee, a proportion of it goes to PLSclear and the rest goes to the publisher.

My view

I haven’t used PLSclear myself, but based on the webinar it looks straightforward and well-conceived. I certainly like the fact that it’s free for the requestor, and in many cases it will be far quicker than less automated methods of requesting permissions. It would be interesting to know how publishers and their authors like it.

Lucy Metzger Lucy Metzger is based in Glasgow. She copy-edits and proofreads, mostly academic books and textbooks, and is a mentor and trainer for the SfEP. She is an amateur cellist and singer. Her degree is in French. She is the external relations director for the SfEP.

 

 

Posted by Abi Saffrey, SfEP blog coordinator.

The views expressed here do not necessarily reflect those of the SfEP.