In early 2017, purely by chance, I stumbled across something called the ‘Print Futures Awards’. Little did I know that applying for the award was one of the best decisions I’ve made in my career so far, starting a journey that led me to the Chartered Institute of Editing and Proofreading.
The Printing Charity
The Print Futures Awards are held by the Printing Charity, an organisation that supports those working in the printing, publishing, packaging and graphic arts sectors. I wasn’t familiar with the Charity when I first discovered the Awards, but the more I read about them the more I was blown away by their work, from their dedicated sheltered homes that offer the opportunity for people from the print sectors to stay independent in retirement, to the plethora of training initiatives that they offer for rising talent in the industry.
The Printing Charity has a rich and fascinating history: founded in 1827 by an independent printer in London, Queen Victoria granted the organisation a Royal Charter in 1865 and every monarch since has been the Charity’s patron. The list of the Printing Charity’s presidents reads like a who’s who of literary and political figureheads, including Charles Dickens among many others!
The Printing Charity started the Print Futures Awards scheme in 2003. The Awards offer a grant of up to £1,500 to help those aged 18 to 30 to develop their skills and progress in their print-related careers, and are now the largest single awards programme in the UK printing, paper, packaging, publishing and graphic arts sector.
In 2017, there were 275 applications, and I felt extremely privileged to be one of the 78 winners. During the last round of applications in summer 2019 there were a record 93 winners, proving that the Print Futures Awards are going from strength to strength, and the support that they are providing to rising talent in the industry is crucial.
What really struck me, reading through the brochure of the winners afterwards, was the wide range of applicant backgrounds and the many possibilities of what the award could be used for. Winners came from the length and breadth of the UK, and planned to use the award for career-building aspects such as work experience, postgraduate degrees, specialist equipment and investment into projects like blogs, magazines, artist project spaces and illustrated books.
Applying for the Print Futures Awards
At the time, I’d recently completed the Basic Proofreading qualification from the Publishing Training Centre, and I was looking for ways to further my experience and gain more skills. Having seen the award advertised on social media, I quickly started on my application form, which asked applicants to provide a short paragraph stating how the award would help them. I had so many ideas of what I wanted to do – the hard part was fitting it all into just 300 words!
I was delighted to receive an email saying I was through to the next stage. My delight quickly turned into sheer terror upon finding out the next stage was an interview with industry professionals. I consider myself eloquent enough through the medium of the written word, but unfortunately in person and on the spot that can often be quite the opposite …
To try to combat this, I decided to do as much research as humanly possible. I came up with an extremely comprehensive ‘career plan’: a three-page (A3-size!) business plan that set out every little detail as to how I planned to use the bursary provided by the Print Futures Award. My first priority was to continue my education with the Publishing Training Centre by completing the Basic Editing course, the next stage up from Basic Proofreading. My second priority was to join the Society for Editors and Proofreaders (as it was then) to expand my knowledge of the industry and hopefully meet some lovely fellow editors and proofreaders who could help me on my journey! I went through the comprehensive list of courses available from both the SfEP and the PTC and decided on the right ones for me, adding them to the business plan to meet the potential total of £1,500.
The interviews were held in the stunning St Bride Foundation in London, a print heritage centre and library just off Fleet Street. Fortunately, my anxiety about the interviews was entirely unnecessary. From the outset, my lovely panellists assured me that this was as friendly as an interview could be. We discussed my current role and the training I had done so far, and my aspirations for the future – out came the beautifully printed business plan, and (thankfully) they were thrilled. Apparently I was the first person out of all their interviews so far to produce such an in-depth plan, and it was extremely useful for them in terms of being able to see how committed I was to my career plans and exactly how I’d spend every penny of the award. I left the interview feeling like I’d had a lovely chat – definitely not what I had expected on going in!
Shortly afterwards the Printing Charity informed me that I had been successful in achieving a Print Futures Award, and I was invited to the Print Futures Awards Event at the House of Lords. The evening itself was a spectacular experience: drinks and canapes on a terrace in the House of Lords overlooking the River Thames, meeting and talking to my fellow winners and networking with the big names of the print and publishing industries, and a wonderful feeling that this was the start of my perfect career!
What I have gained from my award
My initial business plan spanned all the way from 2017 to 2020, so it’s been interesting to look back at my predictions and compare them with what I have achieved so far. I have achieved my two main priorities, having been a member of the SfEP/CIEP since 2017 and completing the Basic Editing course in 2018. Both of these have opened doors that I never imagined previously, from attending the wonderful North East SfEP mini-conference last year and meeting those in my local SfEP group, to having the skills and confidence to complete some freelance proofreading and copyediting. The Printing Charity also has an Alumni group, which has been a brilliant resource of contacts and further opportunities, for example training in the Adobe Creative Suite through a series of webinars.
My next goal is to upgrade my CIEP membership to Intermediate, to get a coveted place on the IM Available list. To help with this and to continue my CPD I’m looking to undertake a CIEP training course, and I’m very excited to get back to my favourite past-time of learning new skills!
I can’t thank the Printing Charity enough for giving me the opportunity to progress my career, and I also can’t be more complimentary about the wonderful members of the CIEP for making me feel welcomed and providing guidance and knowledge. I would recommend the Print Futures Awards without hesitation for anyone aged 18–30 wanting to further themselves in any print-related career.
Here’s to many more fruitful years in the CIEP!
Lauren Campbell is a Communications Assistant for a multi-academy trust in Northumberland, and is starting her journey as a freelance proofreader and copyeditor. She is an Entry-Level Member of the CIEP and can be found on Twitter. She has covered a wide range of topics in her editing work, her favourite so far being copy for tabletop role-playing games such as Dungeons and Dragons.
Applications are now open for the 2020 Print Futures Awards.
Photo credits: Print Futures Awards invitation – Lauren Campbell; Print Futures Awards 2017 winners – property of The Printing Charity, taken by Ray Schram.
Proofread by Victoria Hunt, Intermediate Member.
Posted by Abi Saffrey, CIEP blog coordinator.
The views expressed here do not necessarily reflect those of the CIEP.