Category Archives: Just for fun

CIEP social media round-up: August and September 2020

In August we celebrated freelancing month by teaming up with BookMachine for combined social media posts, tips, interviews and resources about life as a freelancer, including useful blogs by CIEP member Julia Sandford-Cooke, ‘Six ways to be the freelance editor you want to be’, and Sam Kelly, ‘Getting started as a freelance proofreader’. BookMachine offered a CIEP discount on their membership fee and we offered free CIEP membership through the BookMachine website. Welcome to all the new members who joined us during this time!

Across all our social media platforms, we shared our collection of free fact sheets and focus papers, including Professor Lynne Murphy’s recent focus paper on Global English. On Facebook, we experimented with a chatbot engagement tool that delivered the paper directly via Messenger. If you’re a devotee of our other platforms, don’t worry – we’ll be trying new things on Twitter and LinkedIn soon! We reminded our new and not-so-new members about the content they could access as part of their membership, such as fact sheets about academic editing, editing efficiency in Word and getting your first clients, plus a handy editing jobs log. In August and September, too, we gave everyone the opportunity to take (or retake) our just-for-fun, often topical, CIEP quizzes 12, 3 and 4.

For those who became interested in the origins of the word ‘freelance’ in August, with all the talk of it, a handy history, supplied by Ye Olde Merriam-Webster, came a-riding to our rescue.

Text old, new and newer

Talking of history, there is always a proportion of our curated content that looks to texts past, from Thomas Cromwell’s cut-and-paste job, which added his image to the Bible of Henry VIII, to Agatha Christie’s best first lines, and from the world’s first novel to the debate about whether the work of female writers from the past, written under male pseudonyms, should now bear their real names (we posted articles that argued both for and against this idea).

Meanwhile, history was being made with the anticipation of, then the reporting on, the best first week of September for booksellers since records began. A delay to the publication of some titles due to lockdown, plus pre-Christmas releases, meant that on 3 September, ‘Super Thursday’, 600 titles hit the bookshops. Quite a few for the TBR (to be read) pile, although our social media audiences are well used to our discussion of this ever-growing fixture on most of our bedside tables.

We learned about some up-to-the-minute, freshly coined phrases such as ‘space marshal’ (someone whose job it is to enforce physical distancing), ‘crisis beard’ and ‘lockdown tache’ (well, you can guess the meaning of those). And thence to the most immediate type of text – actual texting, on a phone – with Macmillan Dictionary’s new listings of emojis and a report that young people can be intimidated by full stops in text messages, as they see them as a sign of anger. No doubt this discovery will send many older texters hurriedly back to Macmillan’s emojis to find appropriate graphics to use instead. (For, really, we can’t have *nothing* at the end of a text, can we?)

Even newer than all this was the idea of robots writing the text we read in the future. For a little shiver down your spine, read ‘A robot wrote this entire article. Are you scared yet, human?’

Useful tips

As ever, we scoured the internet for useful advice and tips for editors and proofreaders, from keyboard shortcuts for Word to how to write fight scenes, from editing recipes to using reference materials effectively. The winner, however, in terms of sheer, unmitigated first aid for anyone who edits or proofreads, was Adrienne Montgomerie’s blog, ‘Edit Faster! Triage for the Eight-minute Editor’, which linked to even more incredibly useful content. A treasure trove.

Tenuous links to animals

Our social media pages would not be ours if they didn’t have a generous sprinkling of animal references (real or, frankly, tenuous). We offered our readers variations on the famous Buffalo sentence (in case you’re wondering, it’s Buffalo buffalo Buffalo buffalo buffalo buffalo Buffalo buffalo), we brought them a history of the term ‘a load of old codswallop’ and Merriam-Webster’s readers’ pet peeves (OK, those two links *are* tenuous), but to crown the lot we posted a puppy, yes, a puppy, quiz. And then kicked ourselves for not having written one ourselves.

Down time

Not that you could ever be bored while following us on social media, but we posted a brief history of boredom, just in case our followers needed a reminder of what it felt like. Other lighter content included a selection of photos that illustrated the word ‘irony’, and, one of the most popular postings of August and September, an article in which an artist revealed the fonts used in some of the most recognisable logos (a surprising number of which were Helvetica). Finally, we shared the story of the anonymous New York Times typo-spotter (@nyttypos on Twitter), who is gaining a cult following, and in fact, proving quite helpful to the editors at the US newspaper. Not that we encourage typo-shaming of any sort, but on the other hand we love a mystery. After all, we’ve taken Penguin’s ‘Which famous detective are you?’ quiz, so we know we’re Miss Marple/John Rebus/Sherlock Holmes/Philip Marlowe/DCI John Luther/Hercule Poirot/Harry Hole/Jessica Fletcher …

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Photo credits:  Library by Giammarco Boscaro; Puppies by Jametlene Reskp, both on Unsplash

Posted by Abi Saffrey, CIEP blog coordinator.

The views expressed here do not necessarily reflect those of the CIEP.

CIEP social media round-up: June and July 2020

In June and July the CIEP looked to create, as well as curate, our social media content.

A CIEP commitment to anti-racism

In June, the CIEP – like many other organisations – sought to respond meaningfully as we reached a tipping point globally: a point at which anti-racism demands more of us than lip service to dismantling structural inequality. On 5 June, we published A CIEP commitment to anti-racism across our social media channels, setting out five steps that the CIEP will take to contribute to change.

‘As editors and proofreaders,’ we noted, ‘there is so much that we can each do to make space for and amplify voices that have historically been and continue to be marginalised and silenced.’ A warm reaction on Facebook (87 likes/loves and 14 shares), Twitter (71 likes and 25 retweets) and LinkedIn (117 likes/loves/applause) demonstrated how keenly this resonates. Both privately and publicly, members expressed emotion at being part of a membership eager to take action; some followed up swiftly on this commitment, forming a working group to translate the CIEP’s words into practice.

Throughout June, the CIEP social media team curated relevant content, including Do the work: an anti-racist reading list, and promoted Black voices, spanning #PublishingPaidMe, a campaign asking authors to reveal their advances and expose race-based pay gaps, a call from the Black Writers’ Guild for sweeping changes in UK publishing and a celebration of Reni Eddo-Lodge’s success as the first Black British author to top the UK’s official book charts. We also shared Alex Kapitan, the Radical Copyeditor, explaining why saying ‘All Lives Matter’ makes things worse, not better, Sophie Playle’s thoughts about how to avoid unconscious bias in your creative writing, and a list of 5 steps freelance editors can take to combat racism. And these efforts continue, the CIEP’s social media being key to our commitment ‘to [seek] out and [amplify] BAME voices and the voices of editors/proofreaders of colour worldwide’.

All the free stuff

As we went into July we continued creating social media content by publicising a range of free-for-everyone and free-for-members fact sheets and focus papers across all our platforms, including a love letter to editing cunningly disguised as a focus paper by our honorary president, David Crystal, called ‘Imagine an editor’. This was popular with our audiences, but we also found that explainers, such as ‘Training for proofreading or copyediting’ and ‘The publishing workflow’, went down well too.

 

Of these, our fact sheet on ‘Proofreading or copyediting?’, which could be used to explain to clients the differences between the two disciplines, went down a storm. We also posted CIEP quizzes 1, 2 and 3 across our platforms, in case any of our audiences had missed them. These got a particularly good response on LinkedIn, with ‘pub quiz’ participants comparing scores and one follower commenting: ‘Fun and educational every time 😊’.

Never forgetting our bookshelves, or the location of the toilet

Pieces on bookshelves, how to organise them, and the books we put on them are always popular with our audiences. In June and July we offered articles (some from the archives) on a bookshelf illusion mural in Utrecht; a list of all the ways to organise your bookshelf, including using the Dewey Decimal System; organising books by colour only; (if more inspiration were needed) how 11 writers organise their personal libraries; and (if all else fails, presumably) the artistic arrangement of books around a person or persons in order to recreate a series of dramatic scenes.

We also took a virtual trip to a writer’s studio in a garden, which could just as easily have been an editor’s studio, we thought (or hoped). One Facebook follower asked: ‘Does it have a toilet? Not going in the bushes …’. Apparently it does, but it’s concealed behind a secret panel. Here’s hoping it’s easily found in moments of need.

Talking of virtual trips, our Facebook followers made the role of books in their lives very clear when, on 1 June, we posted a link to a story about how Covid-19 is forcing authors to change their novels in ways such as avoiding references to flying and including details such as temperature checks. ‘I want to read about a world that’s not burning and going down the drain. I read to escape, not to be reminded that I can’t leave the house’ posted one follower. Oops. Luckily, later in the month we had the opportunity to share an article listing ‘50 brilliant books to transport you this summer’, and then even later (in July) to introduce our audiences to a piece that reviewed novels as if they were travel destinations. The reviewer of Les Misérables, in ‘A misérables trip to Paris’, advises ‘If you’re going to visit Paris, don’t go during revolution, I’d say, or at least don’t bring the kids’. Wise words indeed.

Loving letters

Another thing guaranteed to transport you is a simple handwritten letter, and during lockdown people have been turning to this lo-tech but lovely form of communication. We shared a story about a Colombian library’s campaign to spread positivity through anonymous letters, and a New York Times piece (restricted access) reminding us of the value of letters in these email-soaked days: ‘I do trade big, juicy emails with some people in my life, but receiving them isn’t quite the same as slitting open a letter, taking it to a big chair and settling in for the 20 minutes it takes to devour it’. We were also reminded of the value of using letters in marketing, with a Throwback Thursday blog by Louise Harnby which urged us not to forget the old ways.

Time for fun

As ever, we made space on our social media platforms for fun items, such as Futuracha, the font that changes as you type. And for anyone who has trouble remembering the difference between ‘born’ and ‘borne’, and ‘affect’ and ‘effect’, we posted the clever homophone artwork of Bruce Worden of Homophones, Weakly. Finally, ‘Words we know because of Star Trek’ went down well. So, until the next social media round-up, we send you this sincere wish: live long and prosper, friends.

Don’t miss a thing in editing and proofreading. Follow us on Facebook, Twitter and LinkedIn.


Photo credits: letter and coffee – Freddy Castro on Unsplash

Proofread and posted by Abi Saffrey, CIEP blog coordinator.

The views expressed here do not necessarily reflect those of the CIEP.

Crafty editors: Part 2

Earlier in July, we shared Part 1 of our crafty editors series – here are some more delicate, striking and tasty examples of what our members do with their spare time!

Jenny Papworth

This is a set of four prints on the theme of ‘winter’. I started screen-printing after a course at the local arts college, and I now print on paper and textiles and sell through my shop on Etsy. Doing something crafty is a great way to wind down after a long day in front of the computer, and screen-printing offers a whole new arena in which to be precise and pedantic.

John Ingamells

Lockdown inspired many people to try baking sourdough bread. But the method’s popularity has been on the rise (!) for some years. Of course, sourdough is nothing new; it is the way bread was made for thousands of years before we learned how to make yeast separately.

Its devotees are captivated by the strange alchemy: the bread-and-water starter that lives in the fridge for years; the process that turns three simple ingredients – flour, water and salt – into well risen bread with a depth and complexity of flavour that mass-produced breads cannot match. And, to add a genuinely modern twist, they now tell us it’s actually very good for us as well!

Sam Hartburn

Here are some modular origami dodecahedra I made – the first is a normal dodecahedron made from post-it notes; the second is a stellated dodecahedron. I’m not sure if the third has a name – a flowered, cubed dodecahedron maybe.

In modular origami, you fold a number of identical modules from small pieces of paper, then fit them together into a bigger shape. The modules usually slot together and stay in place without any glue, although often there is no strength to the piece until the final module is slotted into place – meaning that the process of putting them together can be frustrating. You can even make origami pieces that move, like this rotating structure.

Rich Cutler

A few years ago I became interested in art and photography. Like most budding photographers I started out by taking decorative, pleasing images. However, I soon became dissatisfied with these, and found myself drawn instead to contemporary art – about which I knew very little (my background is in science). On a whim I applied for a master’s degree in photography, and to my surprise I was accepted! Doing the MA was one of the best decisions I’ve made, and improved my photography immeasurably. Since graduating in 2013 I’ve exhibited as a photographic artist both in the UK and internationally.

Rich has managed to show his work publicly despite the lockdown: Insecta in the window of the contemporary art gallery Fabrica, Brighton (on display until September).

Annette Doutney

I arrange flowers at my parish church and it’s something I have missed during lockdown. It’s both relaxing and satisfying to take beautiful things and create something even more beautiful with them in a peaceful, empty church. I can let my mind wander as I work, too, unlike when I am editing or proofreading!

Philippa Tomlinson

Wet felting is surprisingly hard physical work when done by hand, but this is partly why I love it. It is also a sensory activity – so a welcome antidote to the sometimes stressful hours spent staring at the computer screen. I can let my mind drift off, immersed in the colours and smells and textures of the felting while listening to music or the sounds of nature outside in the garden. It is also an unpredictable craft – you are never quite in control of how the final product will turn out – and it’s good to learn to embrace that.


Proofread by Joanne Heath, Professional Member.

Stitched together and posted by Abi Saffrey, CIEP blog coordinator.

The views expressed here do not necessarily reflect those of the CIEP.

Crafty editors: Part 1

On the CIEP forums, we recently asked members if they’d like to share their crafting skills, and had a fabulous response – this is Part 1 of our crafty editors series!

Sarah Perkins

Here is Pugin, my firescreen.

I saw a beautiful glass peacock firescreen. I loved it, but it was far too small and delicate for my fireplace, and very expensive. It got me thinking that I could make something three dimensional, so I didn’t need the traditional frame to make it stand upright. Apart from the peacock blue felt, he was made from various scraps, in different techniques so I didn’t get bored or run out of a material I couldn’t find again. There’s knitting, patchwork, quilting, drawn thread work, crewel embroidery, ribbon weaving, needle lace, felting, machine embroidery, and even a bit of fair trade raffia.  You wouldn’t believe how many people have asked me why I don’t call him Penelope. Because he is a peacock. Ah!

Nicholas Taylor

This is my latest line of handmade cards, combining my love of maps and all things outdoors and the joy of sending cards. I haven’t been able to get out as much recently but this has just given me more chance to cut up a lot of old OS maps!

 

 

 

 

 

Catherine Dunn

I studied fine art at Loughborough University and graduated in 2001 with a BA in painting. Since then, I’ve continued to draw and paint as a hobby. I find it helps me zone out and relax. Due to space constraints, these days I keep it fairly small. This piece is in watercolour pencils and ink. I enjoy working in a wide range of media, but I always keep things mainly in two dimensions. I’ve recently started experimenting with ProCreate Pocket on my iPhone, which is opening up new avenues to me.

Joanna Porter

I make lace, mainly bookmarks because they are relatively simple to do and still work even if the lace is not 100% perfect. I find it therapeutic as it is not that complicated to do but does require total concentration. Part of the pleasure also comes from using my grandmother’s bobbins. I hope to add a lace bookmark to the raffle at the 2021 CIEP conference.

Elaine Monaghan

Silk satin; pre-print dip in logwood dyebath; bramble, oak and coreopsis

I enjoy making botanical contact prints (sometimes known as ecoprints), mostly using leaves from my garden, or collected while on a walk. It’s a very personal way of making a permanent record of a moment in time. I generally print on protein fibres (silk, wool), which take prints well; cellulose fibres (cotton, linen, bamboo, etc.), including paper, can be trickier. The photos show two examples of printing on silk. The technique has great potential for upcycling favourite old garments that need a new look, and I’m working on incorporating prints into conventional garments (such as on a silk lining for a jacket).

Habotai silk; sumach and oxeye daisy; post-print dip in madder dyebath

One of the attractions of the technique is that each print is unique: the result of printing a leaf from an individual tree may vary, depending upon the season, and if weather conditions change. It’s encouraging that even the most experienced printers get unexpected results!

 

 

 

Caroline Petherick

After a rather long break, I took up knitting again and kicked off with a nice warm woolly for winter.

 

 

 

 

 

 

Paul Sensecall

In my spare time, I produce abstract works on canvas using natural coloured mica pigments mixed with resin and hardener. The resin sets to a hard clear vitreous finish, giving interesting light-diffracting qualities to the pigments on the canvas. I use a mixture of techniques to add and disperse the pigments and resin across the canvas and to introduce cells and lacing effects.

 


Proofread by Joanne Heath, Professional Member.

Stitched together and posted by Abi Saffrey, CIEP blog coordinator.

The views expressed here do not necessarily reflect those of the CIEP.

 

CIEP social media round-up: April and May 2020

Two of the strangest months in memory, recorded through our social media accounts

Times such as these are tricky for a social media team whose focus is on publishing and freelancing. As with pretty much everything right now, long term we don’t know what COVID-19 might mean for publishing, the book industry, or editors and proofreaders. We entered April 2020 wondering what we could communicate to our audiences on a day-to-day basis. Too much doom would be unhelpful. Too much levity would be unwelcome. What to do? Like so many others, we took each day at a time.

Silver linings

But heartening developments emerged, at least where publishing was concerned: increased book buying during lockdown, and the appearance of online book festivals and other events, with the Hay Festival, from 18 to 31 May, presenting an impressive array of personalities including our own honorary president, David Crystal. (David also starred in Mark Allen’s new podcast, That Word Chat, on 11 May.) Online events, by their nature, could include many more people than would have attended physically. ACES, the society for editing in the US (@copyeditors), took its conference online with #ACES2020Online on 1 May, and we were promised great things by SENSE, the Society of English-language professionals in the Netherlands (@SENSEtheSociety), whose online conference was to take place in early June.

Revising our lexicon

We covered the updating of dictionaries that the coming of COVID-19 required, so that editors and proofreaders were informed about how to refer to the virus. We posted articles about new terms such as quarantini and coronacoaster, and terms that were gaining popularity such as infodemic, as well as whether we were using older terms differently now. We reminded our followers of the differences between similar terms we were now using a lot, such as hoard and horde (‘There are hordes of people hoarding toilet paper’, one Facebook follower observed).

Keeping up with tech

Video conferencing packages are now part of our lives in a way they never were before. We covered Zoom in various ways, from why Zoom makes you tired to sports commentator Andrew Cotter’s Zoom meeting with his two Labradors: a treat. Meanwhile, Cambridge Dictionaries introduced us to new video conferencing terms like zoombombing, zumping and teletherapy. Merriam-Webster noted the coining of two news-and-phone-related phrases: doomsurfing and doomscrolling.

Shelf isolation

More attention is being paid to bookshelves in these Zoom days (see ‘Bookcase Credibility’, @BCredibility, an account launched in April that comments on the bookshelves of various public figures). Of course, at CIEP we appreciate a good bookshelf (and a good book nook, a scene or figure that can be placed between shelved books). On 25 March we had proved ourselves ahead of the curve by asking our Twitter followers to #ShowUsYourShelves. To fill these shelves still further, during April and May there were a number of articles and postings about the books we could read in lockdown, to comfort us, return us to our childhoods, inspire, uplift or offer us escape, or simply to get us through. We enjoyed artist Phil Shaw’s ordering of books to tell a story with their titles, something that Orkney Library (@OrkneyLibrary), now temporarily closed, had often done for its 70K followers. And, remaining with libraries, the true story about the cleaner who rearranged the books in a library in size order – oh, horror! – inspired sympathy and hilarity in many.

Actors available

Suddenly, actors and other artists had time on their hands and were doing impromptu readings and recitals. Jennifer Ehle, Elizabeth Bennet in the famous BBC 1995 adaptation of Pride and Prejudice, read the novel chapter by chapter, and we shared this on Twitter on 6 April. Andy Serkis read The Hobbit online for charity. @SirPatStew (Sir Patrick Stewart) read a Shakespeare sonnet every day until 22 May. Our post announcing this got 83 likes and 33 shares from our delighted Facebook followers.

Home comforts

Of course, we editors and proofreaders are, for the most part, well used to all aspects of working from home, from furry assistants to endless tea or coffee drinking. And, alas, with beverages occasionally comes spillage. One of our most popular posts on Twitter was about an artist who made coffee stains into illustrations of monsters. There were a lot of them. Boy, was he unlucky with his coffee.

Funnies, Friday or otherwise

If you’re a devotee of the CIEP Facebook page, you’ll know that there’s a Friday Funny at about 4pm every week to send everyone off into the weekend with a smile. These are often comic strips by book-appreciating illustrators such as John Atkinson or authors who understand the trials of working from home such as Adrienne Hedger. When we’re very lucky, the legendary Brian Bilston releases a poem. His ‘Comparative Guidance for Social Distancing’ got 160 likes and 105 shares on our Facebook page, and it wasn’t even posted on a Friday. Sometimes the stars align and there’s a cat-and-books story we can post at the end of the week. Such an event took place on 22 May, when we enjoyed Horatio, a cat who wears (or, really, bears) costumes to promote his local library. As one Facebook user commented, ‘That is a patient cat.’ Truth.

Lockdown LinkedIn

We only started posting our blog-based LinkedIn content regularly last June, and since we passed the 10,000 followers mark last August our followers have increased again by another 8,000. Since lockdown, engagement has reduced as many of our followers seem to be working parents who are grabbing opportunities to work while suddenly morphing into teacher mode. During April and May 2020, posts that proved popular included: Denise Cowle’s week in the life of an editor (more than 8% engagement rate and 45 likes), a post by Intermediate Member Hilary McGrath sharing tips for staying motivated when starting a course (more than 4% engagement rate and 38 likes) and, showing reading-related content is our bread and butter, Abi Saffrey’s post about evaluating her year in books (more than 5% engagement rate, 32 likes and 8 comments).

Rounding up the round-up

During April and May 2020 on the CIEP’s social media, the emphasis was on editors and proofreaders looking after themselves, diverting themselves, keeping informed and looking for light where it could be found. As ever, our social media was overwhelmingly about support. We got a new emoji on Facebook – ‘care’, the usual little yellow head hugging a heart. Gotta tell you, it’s coming in useful.

Don’t miss a thing in editing and proofreading. Follow us on: Facebook, Twitter and LinkedIn.


Photo credits: wall emojis by George Pagan III; cat by Andrii Ganzevych, both on Unsplash

Proofread by Victoria Hunt, Intermediate Member.
Posted by Abi Saffrey, CIEP blog coordinator.

The views expressed here do not necessarily reflect those of the CIEP.

My year in books

By Abi Saffrey

At the end of each financial year, I reflect on the projects I’ve worked on, the clients I’ve worked with, the money I’ve earned and the money I’ve spent. It struck me at some point in 2019 that perhaps I could do a similar review of what I’ve read over the same span of time. So I set up a spreadsheet and logged the books I read for pleasure and those I edited and proofread. Time and sanity limitations meant I did not log everything I edited, or anything I read that wasn’t a book (but The Phoenix Comic is pretty darn good).

Reading was my greatest pleasure for many years, but going freelance and then having children limited my time and energy for it. I missed reading, but not enough to carve out the time for it. For whatever reason, 2019 was the year that I decided to JUST READ MORE.

April 2019

I copyedited two social science books for a regular client. And I managed a grand total of THREE books for pleasure, all short and very different from each other.

May 2019

I didn’t edit any books this month – I finished writing a guide to Editorial Project Management for the (then) SfEP, and worked on a fair few journal articles. I didn’t read much outside work either.

June 2019

I copyedited two books on subjects that I’m passionate about: climate change and gender inequality. This was the month when I set myself a reading challenge: to read my way through the alphabet (using authors’ surnames), selecting books available in my local library and by ‘new to me’ authors. I managed A–D over the month.

  • How to Fall in Love with a Man who Lives in a Bush, by Emmy Abrahamson (the first of three translated novels over the year)
  • Pulp, by Charles Bukowski
  • Multitudes, by Lucy Caldwell (the only short story collection in my year)
  • This is the Ritual, by Rob Doyle

July 2019

Workwise, my focus in July was on student and teacher materials. And I didn’t read ANY books for pleasure. Sorry.

August 2019

A reduced workload because of the school holidays – journal articles only. I might not have read much this month, but I did get to spend two weeks in and around beautiful Tenby. August is my birthday month and, for the first time I can remember, I got NO books for my birthday. I did get some book tokens though, which I stashed away …

September 2019

Back to work with a bang and three books on my desk: political scandal to proofread; sociology and education theory to copyedit. A disappointing one letter crossed off my alphabet.

  • Reef, by Romesh Gunesekera (I have a vivid memory of reading this while sat in the playground at Audley End House)

October 2019

One book to copyedit (social science), two books for fun (and NO letters crossed off my alphabet, tsk tsk).

  • The Bone Clocks, by David Mitchell (I started this in September, and read some in my downtime at the SfEP conference … but it’s long and complicated)
  • After Me Comes the Flood, by Sarah Perry (finished this one while on holiday in Tromsø – happy days)

November 2019

I copyedited three books in November, all related to welfare, social policy and politics – with those and being involved in a general election campaign, it was an exhausting month. Perhaps unsurprisingly, there was no time for self-indulgent escapism.

December 2019

I started work on a contributed volume about South Sudanese objects (I’m still working on it now – May 2020); it is so different to my normal social sciences fare. A welcome distraction after an election that didn’t go the way I’d hoped. I managed to read three books on my own time – the joys of taking some time off over the festive period (alphabet challenge stowed away for another time at this point).

January 2020

I proofread one book – politics – in January, and it prompted me to buy (and read) another book in the series. I also set myself a new reading challenge (after some discussion with my accountability group): to read for 30 minutes a day on five days in each week. I nearly always ended up reading for longer than that, and it meant I ploughed through the pages. There is a slot in my day between collecting/taxiing children and preparing dinner – it tends to be filled with social media and internet browsing in a comfy chair, so I would leave my book on that chair and my phone in my coat pocket.

I went to Amsterdam for a weekend – so a Lonely Planet pocket guide snuck in here too.

February 2020

One copyedit this month – colonialisation, not a cheery read. I counteracted that by carrying on with my 30-min reading challenge, and I even managed to tick FOUR more letters off my alphabet.

March 2020

March’s one book copyedit was on support and health workers across the globe. I finally spent my birthday book tokens – on the paperback editions of Gretchen McCulloch’s Because Internet, and Invisible Women by Caroline Criado Perez, both of which I’d been lusting after since their hardback release. I also treated myself to The Boy, the Mole, the Fox and the Horse by Charlie Mackesy, which was the last book I read before the COVID-19 pandemic. I haven’t been able to focus on books in my free time since.

That year in numbers

So I read 31 books for pleasure:

  • I bought five secondhand, one was a gift, one was nicked off my mum’s bookshelves.
  • I bought ten new (one hardback, eight paperbacks and one ebook), and one had been on my e-reader for at least five years.
  • I borrowed 13 from my local library.
  • There were 19 fiction books and 12 non-fiction books.

I copyedited 15 books, and proofread two. I also dipped into two other books for CPD purposes: What Editors Do (edited by Peter Ginna) and Developmental Editing (by Scott Norton).

End-of-year summary

I’d hoped that I’d find some revelation about my reading habits and trends, or even find that my ‘to be read’ pile would be smaller. Or that I learned something profound and life-changing. But I didn’t, and it isn’t, and … I will leave social media soon(ish). I will definitely keep noting down what I read – reviewing my list and writing this post have brought back so many memories of where I was when I was reading each book.

I’d like to say I’ll go back and read some of these again, but I won’t. There are so many other books out there that need me to read them and I don’t want to set another challenge that I’ll give up on when I get distracted by the next one. Anyway, these are the ones I loved the most in my financial year 2019/20:

  • The Bone Clocks by David Mitchell – so beautifully crafted, and it presents an all too real future for us.
  • On Writing by Stephen King – I’m never going to read his novels and I’m never going to write a book but I loved the essential message that ran throughout: reading is the best way to learn to write.
  • Melmoth by Sarah Perry – it’s pretty close between this and Here Comes the Flood. Her writing sucks me in every time (The Essex Serpent is also compulsive reading, but I read that in 2018).

Abi Saffrey is an Advanced Professional Member of the CIEP. She reads books to earn a living and to keep her imagination alive. She’s wondering when the library will open again so she can look at the ‘L’ section of the fiction shelves. She boycotts Amazon.

 

 


If you’re wondering which book to read next, peruse the CIEP’s book reviews.


Photo note: I read Paul Dolan’s Happiness by Design in February 2019 and Matt Haig’s Notes on a Nervous Planet in March 2019, but they cheekily snuck their way into the class of 2019/20 photo.

Proofread by Alice McBrearty, Entry-Level Member.
Posted by Abi Saffrey, CIEP blog coordinator.

The views expressed here do not necessarily reflect those of the CIEP.

Not just fun and games: the CPD of escape rooms

By Julia Sandford-Cooke

You might think I’m just a meek and unassuming editor, but I have a secret identity. When I’m not correcting content, I may be stealing diamonds, exploring Egyptian tombs, solving crimes or perhaps even saving the world (twice from a renegade sheep). Despite my reputation for remaining calm under pressure, I have been known to scream, ‘Why are you just standing there? We only have three minutes to defuse the bomb!’

Yes, I’m an escape room enthusiast. Bear with me because the link to continuing professional development (CPD) isn’t as tenuous as you might think. After 20 years as an editor, I’m still committed to learning but I’ve completed most relevant courses at least once, so have begun to seek out new ways to build and apply my skills. After all, we editorial professionals don’t just spend our days correcting grammar and swearing at Microsoft Word – we also practise problem solving, time management, team working and lateral thinking. And all these skills are tested and strengthened in escape rooms.

What is an escape room?

Basically, you and your team of two to about seven people enter a room to solve puzzles relating to a particular theme or story within a set amount time (usually an hour but, increasingly, 90 minutes). In fact, ‘escape room’ is rather a misleading term. It’s really more about escapism than escaping. Although you may need to find a way out of a setting like a prison or cabin within the time limit, instead you could solve a crime, find a relic, save a pirate ship or pass all your wizarding exams. Sometimes the challenge is just collecting as many toy cats as you can. You won’t actually be locked in (I believe that’s illegal) and, in fact, many rooms allow you to leave at any time – but what would be the fun of that? I won’t spoil your future games by describing the puzzles you’ll encounter in detail but they may involve matching words, spotting inconsistences, identifying patterns, remembering sequences, cracking codes, finding pieces of a jigsaw and completing it, or something more physical, such as shooting foam bullets at a target. Typically, you’ll need to identify a numeric sequence or locate a key for a padlock. It’s seen as bad form to require external general knowledge (that’s what pub quizzes are for) so, as long as you know simple maths and the alphabet, you’ll be able to make a start. If you get stuck, your games master, who monitors you on CCTV, can provide a hint.

Most escape rooms are aimed at adults but switched-on kids aged over eight or so often excel as part of a grown-up team, as long as the theme isn’t too scary – my 11-year-old escape room veteran refuses to do any rooms relating to Egyptian mummies, zombies or school detentions. As for the rooms themselves, some are charmingly homemade, some are slickly mechanised and some have amazing movie-quality sets but all require players to accept the scenario in which they find themselves and work together to achieve a mutually beneficial outcome. Can you see the parallels with publishing yet?

Julia and her husband test a virtual reality game at ERIC. Photo by Guy Wah Photography.

Take my nearest venue, Fakenham Escape Rooms. In this game, we have been employed by the International Rescue Corps to complete the work of a missing professor who had been working on new technology that predicts the time and location of natural disasters. Our mission is to find his research and coordinate our findings to discover where and when the next disaster will be. It’s a fun, immersive room and, as it happens, we were top of the leader board for six months until some professional escapologists (pah!) completed it slightly quicker. It’s the taking part that counts – but beating other teams does motivate competitive players like me. The owners subsequently asked us to test their new room before it officially opened, and listened to our constructive feedback on the experience, a bit like a physical version of proofreading.

It’s all about teamwork

So, what makes a good escape room team? Well, I’ve edited enough business books to be intimately acquainted with the Belbin team roles, and have played enough escape rooms to know that combining people with different skills is going to get the job done quicker and better. For example, my daughter has a mind like a trap and is good at finding hidden items. My programmer husband can apply logic to any situation, and I delegate all the maths puzzles to him. Some of the friends I’ve played with are efficient, organised and focused. Others are highly creative or have an in-depth knowledge of binary. As for me, when I asked for feedback on my performance, Team-mate 1 (my daughter) said I’m quick to make connections between different elements and Team-mate 2 (my husband), after some thought, said I’m better at reading than he is. Our greatest triumphs have been a result of focusing on the goal, clear communication and mutual respect for each other’s abilities. All of which are ingredients for successfully managing any project.

Benefiting more than just me

I’ve attended two excellent conferences this year. One was (naturally) the SfEP conference at Aston University. The other was the amusingly named ERIC – the Escape Room Industry Conference in glamorous Dagenham. Covering everything from game theory to marketing, with a little acting thrown in, it was the most enjoyable small-business foundation course that you can imagine. I came home brimming with ideas for developing my own editing business (‘escape rooms’ now features as a key word in my SfEP Directory entry – puzzle tester for hire). As a textbook specialist, I’d love to look at ways of engaging learners via puzzles and for improving testing methods such as those tricky multiple-choice questions that authors always struggle to perfect.

What’s more, while I’m not quite ready to open my own escape room (watch this space), I made a contact at ERIC which has resulted in another exciting new project. I’ve joined forces with my local library to coordinate a treasure trail for teams of Key Stage 2 pupils (9 to 11 year olds) in which they have to use the library facilities to tackle puzzles and act out a narrative – hopefully developing their literacy and problem-solving skills, and their enthusiasm for libraries, in the process.

Try it for yourself

There are now about 1,500 escape rooms in the UK, and maybe 20,000 in the world, so there’s likely to be at least one near you. Some are inevitably better than others – read reviews before you go to gain an idea of quality because it’s admittedly not a cheap hobby. The typical cost is around £20 per person, and it can be even more expensive if (as a purely hypothetical example, of course) you choose to celebrate 20 years with your husband by travelling to Margate to play five games over two days (Kent being the unlikely escape-room capital of the UK). It’s still cheaper than formal training as well as fun, educational and a welcome break from those ubiquitous screens.

Excuse me, I’m just off to Google ‘Milton Keynes escape rooms’. If you want to join my team for some extra escapist CPD while we’re in town for the 2020 CIEP conference, let me know!

Julia Sandford-CookeJulia Sandford-Cooke of WordFire Communications has 20 years’ experience of publishing and marketing. She has written and edited numerous textbooks, specialising in vocational education, media studies, construction, health and safety, and travel. In her spare time, she’s a pirate, spy and astronaut.

 


Thinking about your CPD plans for 2020? The SfEP offers a wide variety of courses, and more informal CPD is available through its members’ forums and local groups.


Photo credits: Sheep Jonathan Poncelet, Escape Rooms sign – Zachary Keimig, both on Unsplash; Julia and her husband testing a virtual reality game at ERIC Guy Wah Photography.

Proofread by Emma Easy, Entry-Level Member.
Posted by Abi Saffrey, SfEP blog coordinator.

The views expressed here do not necessarily reflect those of the SfEP.

Dear Santa…

Dear Santa,

We know you’re busy at this time of year, but we were wondering if you could take a look at our Christmas list. We don’t need all of these items, perhaps one or two per editor or proofreader, but it would be nice to be given something really useful, really relaxing, really inspiring, or really thoughtful this year. (The less said about last year’s pot pourri and wall calendar of naval scenes, the better.)

Tools for the job

Mugs. We use them a lot. During any given year our mugs will have suffered such wear and tear that a new one is always welcome, particularly a funny editing-related one (from Etsy), or one that reminds us of the most wonderful words we’ve ever read (from Penguin).

Also, any coffee- or tea-making gadgets would be lovely. Nothing too big, obviously, as most of us work alone – well, many of us don’t work absolutely alone, but cats don’t drink hot beverages – tea pots for one from Whittard’s, small coffee makers from Bodum, that sort of thing. Let’s face it, most of us would be delighted with some fancy biscuits. If they’re in a nice tin, we can keep it for any of the business-related detritus we’re currently stuffing in a drawer or putting in endless tiny pots on our bookshelves.

Once we’re refreshed, it’ll be time to get to work. T-shirts or tote bags from Arrant Pedantry will get us in the zone for battling those stray commas and dashes.

Reef blue, dandelion yellow, myrtle green, sapphire blue … no, these aren’t the latest Dulux colour range, Santa. They are the colours of covetable Moleskine notebooks. With one of these on our desk, there will be no excuse not to record every small thought that occurs to us during the editing process, perhaps with a posh new pen.

As we valiantly attempt to sit at our computers all day without turning the heating on, how we will appreciate some beautiful fingerless cashmere gloves from Turtle Doves (around £26 per pair). If you can’t stretch to those, check out the Heat Holders range by SockShop. As well as socks, there are gloves, neck warmers, and even hats. Perhaps reserve the hats for those editing in a croft on a Scottish island without heating. You know who they are.

Once we’ve worked for a few hours, we’ll need to do a Stet activity. These didn’t exist last year, Santa. We just called them ‘a stroll around the block’, ‘a quick spin on the bike’ or ‘a short run’. However, this year they’re an indispensable part of our editing day, and we’ve quite worn out our leisure gear, so some new sports clothes would be most welcome.

When we’re back, all revitalised and with a healthy glow we want to show off, we might want to do some promotional activities. For this we’ll need a selfie stick. After all, our arms just aren’t long enough to snap a photo that looks like someone else has taken it, and the cat hasn’t completed its photography course yet. With this equipment, too, we might be able to finally make that introductory video we’ve been promising the marketing department (yup, ourselves) that we’d produce in 2019.

Gifts for downtime

2019 has been a bumper year for books about language. With a book token, we could choose from Dreyer’s English by Benjamin Dreyer, Don’t Believe a Word by David Shariatmadari, Greek to Me by Mary Norris, Semicolon by Cecelia Watson, or Because Internet by Gretchen McCulloch. (Only joking: we’d use this rare opportunity to buy a fast-paced thriller or a book about gardening.)

It’s a cliché, but sometimes the most valuable things aren’t ‘things’. Give us the chance to plant a tree with the Woodland Trust. Or, if we’re fond of birds, buy us membership of the RSPB.

If you’re feeling flush, Santa, you could pay for a one-off house clean or a consultation by a life laundry-type person to get our house and possessions organised. Or, as in that classic Frasier Season 5 Christmas episode, you could treat us to a relaxing massage. We’ll take a BACS payment if you don’t have any cash on you. After all, we are professional business people.

With gratitude and barely concealed anticipation,

The members of the SfEP x


Don’t forget! SfEP members get discounts at Cult Pens, and others – visit the Members’ Area to find out more.


Photo credits: Santa Mike Arney; Mug – Alex; Gift Ben White, all on Unsplash

Proofread by Joanne Heath, Entry-Level Member.
Posted by Abi Saffrey, SfEP blog coordinator.

The views expressed here do not necessarily reflect those of the SfEP.

Five things to take to the SfEP conference

By Abi Saffrey

It’s just over a week until the 2019 SfEP conference. This year, I’m leading a workshop on editorial project management but, while writing my slides, I got a bit distracted by thinking about what I need to take with me. And then I started to wonder what other delegates would be taking with them, so I went onto the SfEP’s conference forum and asked. Here are my (and my respected colleagues’) recommendations of what to put in that wheelie case before heading to Aston University in Birmingham on 14 September.

1. Home comforts

Conference accommodation can be unpredictable – the pillows too firm, the duvets too thick, the shower room too tiny – but it’s possible to mitigate those issues by taking something from home. Okay, you can’t take your bathroom, but you could take a pillow or pillowcase, a sheet, even a small fan. At some venues, if you bring a hairdryer, you’ll gain brownie points from other delegates. They may even stand you a drink at the bar. But this year we can all travel light, because Aston’s rooms are truly luxurious with hairdryers, irons (and accompanying boards), fans, bedside lights and adequately sized bathrooms.

2. Food and drink

I will be taking my refillable water bottle, because I love a bit of hydration – especially important in air-conditioned seminar rooms and when spending the best part of three days talking (and laughing). Emergency and preferred teabags are worth shoving in your case, as you never know what will be on offer in bedrooms or at break times. Ditto snack items – whether you prefer sweets or bananas, you’re going to need energy to keep the brain whirring.

Good news: there is a small supermarket a short stroll from the Aston conference centre, so Minstrels are always within reach (other chocolate products are available).

3. Something for the quiet moments

Conferences are tiring, especially if you normally work at home with only a furry companion to talk to for hours on end. How strange that editors often take books with them for their downtime. Other portable hobbies that can provide an essential mental and physical breather include music, colouring, sketching, sewing, running and wine.

Aston does have a delightful little swimming pool that is open to delegates at certain times, so remember to pack appropriate attire if you fancy a dip. This year, there will also be a Quiet Room in the conference centre, so that delegates can easily take time out during the busy days.

4. Something for the actual conference

It turns out that the SfEP conference isn’t all about chatting with edibuddies; there’s also some of that there learning going on. Take an open mind and some confidence – listen to others’ ideas and speak your own. If you’re prone to a grumpy resting face, see if you can dig out a smile or two (for use when appropriate).

You’ll need something to take notes with/on, whether that’s a laptop, mobile device or a notebook and pens (preferably lots, and in different colours). And don’t forget the charger (and additional power pack) for those electronic devices, especially if you’re live tweeting (this year, the conference’s hashtag is #sfep2019).

Consider your clothing selections – a conference is not the right time to try out new shoes. Go comfy (and clean).

Remember business cards in case of networking successes or prize draws.

5. Medication

Nearly everyone who responded to my call for suggestions mentioned medication – either for an existing condition or painkillers for the headaches that come from thinking, talking and those lightbulb moments. (I refer the honourable reader to the earlier point about hydration.)

And don’t forget!

It’s the UK! The weather does what it wants. It turns out that coats quite often get left at home, and are later missed.


With thanks to SfEP conference goers and forum regulars, veterans and devotees: Hugh Jackson, Helen Stevens, Anya Hastwell, Sue Browning, Julia Sandford-Cooke, Luke Finley, Jane Hammett, Denise Cowle, Margaret Hunter, Jane Moody, Beth Hamer, Cathy Tingle, Sabine Citron and Melanie Thompson (and those who have contributed to the discussion after this was written).

 

Abi Saffrey will be taking decaf teabags, a water bottle, her swimmers, well-worn trainers, bananas, her laptop, her resting grumpy face and hopefully a completed set of PowerPoint slides to this year’s conference.

 

 

Proofread by Victoria Hunt, Intermediate Member.
Posted by Abi Saffrey, SfEP blog coordinator.

The views expressed here do not necessarily reflect those of the SfEP.

Wise owls: office companions

Christmas cuddly owlIn the last SfEP blog post of 2018, the Wise Owls are out in force to share their appreciation for that must-have item for every freelance editor or proofreader: an office companion.

Darcy (Hazel Bird's dog)Hazel Bird

Since she arrived in 2015, my furry editorial assistant (Darcy) has been mostly unassistive in her contributions to our joint workspace. She is excellent at identifying the correct use of words such as ‘biscuit’, ‘frisbee’, ‘lunch’ and (slightly more unusually) ‘teeth’. However, she is less good at tasks such as fixing problems with commas or chasing authors’ corrections. She excels at carrying out requests to find the human editorial assistant (generally in his office at the other end of the house). However, she is less adept at conveying any useful information to him or bringing him back with her, if required.

She has many admirable qualities to make up for these professional deficiencies, however. Although she will happily abandon me if there may be food on offer elsewhere, she is generally stalwart, usually being found in a bed next to my desk. Being a cockapoo and thus only slightly less energetic than a tornado, she also requires regular walks – a huge benefit for someone who otherwise has a tendency to become absorbed in her work and forget to move for hours on end.

Overall, during her three years of employment as chief editorial assistant, Darcy has done little to fulfil her job description. She has also probably destroyed more resources than she has generated for the business, having a talent for rendering almost any toy unsafe within an hour or so of receiving it. However, on balance, her positive qualities do outweigh her lack of editorial acumen, so she will likely stay in her role for the foreseeable future.

Louise Bolotin's Spotify playlistLouise Bolotin

For many years, my faithful office companion was Nelson, a pedigree British shorthair with blue tabby fur like velvet and huge green eyes. He was cute, adorable and largely quiet, which was a blessing when I needed to be deep in thought. Since his passing two years ago, I have two office companions. One is silence, the other noise. I must have silence when concentrating on the trickiest of edits. But I also must have music – I’ve been listening to music all my life and it’s as essential as eating for me.

You could say my go-to office companion now is Spotify. Much as I love to sing along to tracks, I find lyrics a massive distraction when working, so anything I play must be instrumental. I have some classical favourites – Smetana’s Ma Vlast and Rodrigo’s Concerto de Aranjuez are regularly on my virtual decks, for example. But my true love is reggae and I turn to the heaviest of heavy dub for satisfaction without vocals. It’s rhythmic and soothing, not too fast and typically has
60–90 beats per minute, perfectly matching a healthy heart rate. I’ve been listening to Joe Gibbs’ African Reggae since the late 70s and it never fails for me. Other dub albums are available, as they say.

Margaret Hunter's monkeyMargaret Hunter

I wasn’t going to contribute to this Wise Owls offering. I don’t need office companions, I thought. In fact, I love working on my own, able to get on with things just as I want, whenever I want, without people interfering or chatting or just generally being there.

But then I realised I’m not a total recluse. Freelance editors’ social media pages regularly feature office companions of the furry, purring, woofing (farting??) kind, but I don’t have a pet. I have Monkey (yes, I know he’s not…). He’s not great at conversation though; but he is there if I want a friendly ear to rant at.

And then there are the birds outside my window, who seem to get through seed as fast as I’m daft enough to keep filling it up. Yes… I need a window onto the natural world, and the birds, well, they make me happy.

But really my true companions are my SfEP colleagues. Maybe we rarely say the words out loud, but we’re having conversations all the time on the forums, on social media and via email. And just sometimes we meet in person.

So, I do have companions, human and otherwise. Without them this freelance editing lark would definitely be a much harder and lonelier slog.

Matty (Melanie Thompson's dog)Melanie Thompson

I literally would not be here without my Office Assistant, Matty. When I say ‘here’ I mean, in the village where I live – because a major reason for moving here was the fantastic local (dog-)walking. When I say ‘here’ I also mean ‘being a freelance editor’ – because if I hadn’t needed to stay at home to keep him company I may well have been tempted to take an office job a few years ago. And when I say ‘here’ I also mean ‘at my desk’ – because now he is an old dog and has very set habits. If I don’t say ‘let’s go to work’ and unlock my office door in the morning he looks very confused.

Having an office companion is a joy, but it’s also a job. Being a pet’s ‘parent’ brings responsibilities – and expense. So the yellow Dogs Trust stickers are absolutely right: a pet is for life, not just for Christmas. If you’re thinking of getting a pet, my top tips are: get good ‘lifetime’ pet insurance (Direct Line have been brilliant for us), and find local friends or professionals who can pet sit when needed.Matty in a field, in the sun

Matty often features on my Facebook page and in my annual newsletter to clients. He’s about to notch up his 13th Christmas in his role as Office Assistant. He’ll be getting an annual bonus (extra fish-skin treats). He has certainly earned it: all those hours of waiting patiently while I’m tapping on a keyboard; the twice-daily compulsory walks that often help me think through knotty editing problems; and helping me to get to know so many of my neighbours and all the local delivery people!

As I type, he’s starting the ‘4:30 whine-up’ … it’s nearly dinner time. Long may his daily commute continue.

Mike Faulkner's Pine MartenMike Faulkner

My office/shed is in the woods in deepest Argyll, so I am spoiled for choice when it comes to local fauna for company – regular passers-Mike Faulkner's red squirrelby are roe deer, pine martens and red squirrels. I haven’t managed to get a pic of one of the deer, but these two chaps come almost every day.

We live in fear that one day Piñon the pine marten is going to catch Squirl the squirrel (I know …), but so far Squirl has been way too fast and agile – hMike Faulkner's dog Eddiee can reach parts of the tree that are beyond Piñon’s wildest dreams, and he doesn’t seem put out by the odd stand-off.

Eddie watches them through the window when he isn’t on LinkedIn.

 

Nik Prowse

I don’t have any pets, although sometimes I think it would be nice to own a dog to warm my feet in winter. But when I think about what keeps me company in the office it’s invariably music.

I can’t edit to music – I just can’t concentrate on copy-editing with any background noise. But running an editorial business, and even working through the necessary tasks required to get a book manuscript back to the publisher, involves far more than just copy-editing. For the extra tasks, especially the mundane ones, I find background music helps my concentration hugely.
In the main, if I need music for concentration I choose ambient electronica. Ambient music often eschews normal song structure to create tracks that vary in length, sound and atmosphere a great deal. Once you get away from the idea that songs need words or instruments … or even a discernible structure … there’s a lot to discover! I find ambient music incredibly good for the concentration (except while editing, as I’ve said). Often referred to in a derogatory way as ‘wallpaper music’, for my purposes this is the point: it’s meant to be unobtrusive and in the background.

One of my current worktime favourites is by Carbon Based Lifeforms. Derelicts takes me back to the sounds of Vangelis or Jean Michel Jarre in the early 80s, and it’s a very soothing soundtrack for those more mundane office tasks.

Sue Littleford's bearsSue Littleford

Hurrah for arctophilia! Much as I miss my darling cats, they did have a habit of sitting on the keyboard at awkward moments, or sticking their butts in my face and walloping me with their tails: endearing out-of-hours but not so much on deadline. Teddies are much better behaved. My tribe is divided into bedroom bears and office bears and currently stands fifteen strong. The ten office bears stand (well, sit) guard and (over)fill my partner’s desk, as there’s no room on mine, but just for you, I had a bit of a tidy-up and you can see my guys (and one gal) in all their office-duty glory. The gal – Genevieve from Geneva – is a genuine work bear as she came home with me from a visit to a client.

Sue Littleford's bearsThe office bears are a very supportive bunch – they agree with all my decisions, commiserate when a manuscript turns out to be a bit of a ’mare, cheer when an invoice goes out and cheer even more when the invoice is paid. Decorative and decorous (no teddy butts in my face), each one is a delight. My bear from babyhood, Pinky, is retired (being more grey than pink, these days). You can see them all looking forward to a crisp winter! Season’s greetings from Pinky (he claimed seniority so must come first in the list), Arthur, Basil, Genevieve, Gerald, Hank, Harry, Kristoff, Little Binky, Marius, Robin, Rodney, Rudy, Siggy and Snowball.

Pip (Sue Browning's dog) Sue Browning

This is Pip, my office companion or, perhaps more accurately, my out-of-office companion, as she rarely ventures into my office (it’s tiny), only sheltering here when there’s serious bike fixing going on downstairs, involving Many Bad Words.

She was a rescue dog, and very timid. When she came to us, aged 5 months, she was afraid of people, dogs, cats, horses, cows, fireworks, gunshots, loud noises in general, and plastic bags. Now, after nearly 11 years of careful and loving nurture, I’m delighted to say she is no longer afraid of plastic bags.

She may not be my in-office companion, but she plays a vital role in my working life, making sure I get exercise and fresh air every day. I love her dearly, and wouldn’t be without her.

 

Posted by Abi Saffrey, SfEP blog coordinator, Gaston, Abi Saffrey's catand Gaston, supreme office overlord.

The views expressed here do not necessarily reflect those of the SfEP.