Category Archives: Punctuation tips

A Finer Point: Read my ellipsis

By Riffat Yusuf

There are some words I should think about before saying them. Instead, I mispronounce with confidence and blasé out people’s corrections: ‘If-eat? Are you sure? All my French friends rhyme effete with tête.’ (The friends I have yet to make.) There are other words that I rehearse before sharing aloud, such as conscious and conscience. But present me with a dot dot dot and I dither between ellipsis and ellipses. It makes me sound like I don’t really know what it is or they are.

Elliptically challenged

A quick round of etymology won’t stop my flapping, though it should stand me in good stead if University Challenge ever comes scouting. Ask me about elleipein and elleipsis. One of them is an ancient Greek noun of action meaning to fall short or leave out, then it got Latinised. The other one might be, too. Ask me when the first recorded use of ellipsis/ellipses in English was. Sixteen something. Do not, Bamber Gascoigne, ask me if I denote the omission of letters or words with an ellipsis or with ellipses.

I’ve just realised why nobody else is confused. You all interpret an ellipsis as you would other punctuation: a comma, a dash, an apostrophe. I count the dots and see plural; you don’t. Let’s call a single set of three equidistant points ‘an ellipsis’ and ask why three and not four? Because we’re not in 1890s Oxford or 1948 Chicago – by the start of the 20th century Oxford University Press had clipped to three, with the Chicago Manual of Style dropping a point in 1948.

We all know what an ellipsis is for

We do? Omission from what, then? Quoted speech and text, and also? Incomplete thoughts and trailing off … Anything else?

Don’t buzz in too quickly: pausing for dramatic effect while reading is not the answer I have in front of me. I’ll accept gapping, stripping and sluicing. When you type a gapping comma, you’re showing that a verb has been left out. You’re omitting part of a sentence without typing in a …

Spaced out

Should there be a space before, during or after an ellipsis? Imagine a world where the answer was ‘it’s entirely up to you; nobody’s going to wince if you do this…or this. . .or this … or this . . . ’. But life says start by asking your client if they prefer normal word spaces between the points of an ellipsis (. . .), or none (…), or if they’d like you to insert a single glyph.

CIEPer, when you’ve made a note of your client’s shoulder shrug, I say reach for New Hart’s Rules for style and punctuation guidance; it’s a lot less headachy than CMOS: 13.50–infinity.

In general, NHR favours a space on either side of an unspaced ellipsis – unless the ellipted text ends in a question or exclamation mark: here, the punctuation is closed up to the ellipsis it follows. What I’ve just written I would have to read several times to visualise. I need to see examples. I could really do with a table showing how NHR ellipts the following strongly held opinion in a variety of settings.

I like fluffy, crazy cats, not dogs. I also like rabbits. I don’t like anything else.

Ellipsis when ...

There is an omitted wordI like fluffy, crazy cats, not dogs! I also … rabbits. I don’t like anything else.
There is an incomplete thought followed by a new sentenceI like fluffy, crazy cats … I also like rabbits. I don’t like anything else.
The sentence before the ellipsis ends with a full pointI like fluffy, crazy cats, not dogs! I also like rabbits. …
There is a comma or other punctuation before or after the ellipsis (if the meaning isn’t affected). (Retain the comma if it follows the last item of a sequence after which the ellipsis shows inferred continuation.)I like … crazy cats, not dogs! I also like rabbits. I don’t like anything else.
The ellipted text is preceded by an exclamation mark (or a question mark)I like fluffy, crazy cats, not dogs! … I don’t like anything else.
The ellipted text is followed by an exclamation mark (or a question mark)I like fluffy, crazy cats ...! I also like rabbits. I don’t like anything else.
The original text has an ellipsis after fluffy … but you want to add an ellipsis of your ownI like fluffy … cats, not dogs! […] I don’t like anything else.
Incomplete sentence in an embedded quoteI said, ‘I like fluffy, crazy cats, not dogs. I also like rabbits. I don’t like …’.
No ellipsis needed at the start or end of a (non-embedded) quoteRiffat’s reference to ‘cats, not dogs … rabbits … anything else’ isn’t styled the same way as an embedded quote. She didn’t place an ellipsis at the start or end of her quotation even though she missed a word at the start, and one at the end.
Displayed verse omits the end of a lineI like fluffy, crazy cats, not dogs!
I also like rabbits.
I don’t like …
No ellipses needed when displayed verse omits the start of the first line (align right with the next line)    not dogs!
I also like rabbits.
I don’t like anything else.

But CMOS .  .  .

Here’s a link, enjoy! We’re off to play with Word’s unspaced points where the real fun is. If you increase the font size to 80 and type in three full stops, you get to see them being nudged into a single character once you type the following space. For the same result and a non-breaking ellipsis without the jiggle, press Alt+Ctrl+.[stop] or insert Unicode (U+2026). It’s Alt + semicolon on a Mac.

Rich pickings

There’s one ellipsis question I’ve omitted to mention. NHR 14.6.2 tells me it’s maths – where a horizontal, vertical or diagonal ellipsis is used to represent missing terms, followed by an unspaced comma before the final term – but that’s not what I had in mind. I’ve left out typesetting needs. Does experienced typesetter Rich Cutler prefer the proper typographical character over dot dot dotting? In his own writing, yes. But professionally? Not especially. So that’s good, maybe you don’t need to worry about an ellipsis perched at the end of a line and how it’s typed. Yeah, you do: Rich says editors can help with typesetting by being clear about marking up ellipses and/or giving instructions on how they should be set.

Please make sure you know your client’s preferences: the ellipsis character or three points (with spaces between, or not), and when to close up or include surrounding spaces. And do pay attention to surrounding punctuation and be sure to check each ellipsis for nonbreaking spaces.

Meanwhile, in downtown Ithaca …

Inspired by David Nagy, whose Ellipsis in Homeric Poetry makes me wish I’d studied Classics.

Odysseus: Why are you wearing glasses?

Homer: According to historians, I had problems with my eyesight.

Odysseus: But why are you wearing them over your mouth?

Homer: Because ellipses.

Odysseus: …

Riffat Yusuf is a West London-based proofreader and copyeditor, and a content editor for a small structural engineering company. She has been editing since 2018, and before that she taught ESOL for 10 years and brought up her family. In the dim and distant past she was employed in journalism, radio and television. In the future, she’d like to work on ELT resources.

 


Want to refresh your punctuation knowledge? Check out the new CIEP course Getting to grips with grammar and punctuation.


Photo credits: three – Mike Szczepanski; cat – Corina Rainer, both on Unsplash

Proofread by Lynne Baybut, Entry-Level Member.
Posted by Abi Saffrey, CIEP blog coordinator.

The views expressed here do not necessarily reflect those of the CIEP.

A Finer Point: Style counsel

Is our dropping of hyphens and dangling of modifiers de trop? Riffat Yusuf gets coached in punctuation style by previous writers of A Finer Point.

I always thought punctuation was about correctness. The function of dots and dashes was structural: to hold grammatical constructions in place. The idea of using punctuation for style was an afterthought – if a dash had panache / if an oblique was on fleek, it was down to ‘feel-right’ and whimsy rather than considered strokes on my part. And then I read what Val Rice had to say on using semicolons to avoid style errors.

In A Finer Point in the July/August 2009 edition of Editing Matters, Val outlined how semicolons are more than links between independent clauses connected by meaning; they are buffers against bad styling. They declutter comma overload, take the edge off short, sharp sentences and break up the monotony of repeated conjunctions. And crucially, they have their own role to play:

I started to think about the pros and cons of using dashes and semicolons, and spent an afternoon looking through all my punctuation and grammar reference books to see whether I could find anything, anywhere, to prove that semi-colons and dashes are interchangeable. You may be relieved to know that they aren’t!

Lesson 1: Semicolons are for composition and style. But be aware also of Sarah Price’s observation that technical documentation often avoids the semicolon (January/February 2014):

For some styles of writing, such as technical documentation, joining two clauses together with a semicolon is frowned upon (or it certainly was when I was a technical writer): writers are encouraged to keep sentences short and simple. However, in more prosaic styles of writing, semicolons can be used to improve the flow of the text and avoid the ‘staccato’ effect of short sentences.

Chagrin and bear it

You know how I said that semicolons link independent clauses that have a connected meaning? There’s a reason why I just repeated it: Cathy Tingle. In ‘Scared – and scarred – by semicolons’ (May/June 2019), she shared a snippet of her semicolon-indulgent dissertation where the connection was assumed (if she knew it, then so would her supervisor?) rather than actual.

Lesson 2: If you must revisit the seminal outpourings of your student self, allow enough room for a cringe dance.

Which comma?

I know what restrictive and non-restrictive relative clauses look like. But I still need Luke Finley to make instant sense of the difference in meaning. And so, Lesson 3, adapted from Luke’s unpacking of that/which (September/October 2016): Learn these sentences off by heart.

Open the third door which is blue and enter the room. (Here, the restrictive clause tells me to ignore the first two blue doors I see – I could pass several doors before I get to the first blue one, let alone the third one …)

Open the third door, which is blue, and enter the room. (Here, the non-restrictive clause tells me to open the third door – it just happens to be blue.)

Commas with clout

The comma, not the relative pronoun which, is what conveyed the aside-ness of Luke’s non-restrictive clause. Commas lack heft. Or so I thought. Lesson 4 is from Luke’s column in July/August 2017 where he notes that the comma after an adverbial introductory phrase can drive meaning further than intended.

Luke gives an example: ‘Quickly, he finished the column and then made a cup of tea.’ He then explains:

In adverbial introductory phrases the use of a comma tends to suggest that the adverb modifies the whole sentence rather than only a part of it. In the last example it appears that both the column-finishing and the tea-making were done quickly: this may not have been the intention.

Sticking with unintentional application of meaning, here’s what I learned about dangling modifiers. Iffy sentence alert.

Heeding a point made by Sarah Price, modifiers dangle less offensively than I once thought.

A participle ‘dangles’ when it isn’t clear which text element it modifies … We only need to consider rewriting when there is ambiguity. If it’s clear from the context what is meant, there is no need to change it.

In my sentence, heeding is the modifying participle, and it looks like it’s dangling because the word after the comma (modifiers) isn’t really the intended heeder, is it? To truncate Sarah’s much clearer explanation, if you understand that the heeding pertains to me, then the dangle can stand. Lesson 5 (from July/August 2015) suggests that a bit of dangle is acceptable. Lesson 6: Maybe recast anyway …

Comma quickies

Who knew that commas enclosing parenthetical information, as gleaned from the January/February 2020 Editing Matters, imply a closer connection to the surrounding context than round brackets or en dashes? It makes sense though, visually. Commas place less distance between words than a pair of dashes, and they aren’t as marked a barrier as parentheses.

Can I slip in a vocative comma, CIEP member? Did it. Another one coming up. Newbies, we can be forgiven for not identifying a gapping comma; experienced editors, less so. (Like that last one.)

Compounded by hyphens

What strikes me in Cathy’s piece about hyphenated compounds (July/August 2019) is how disarming a character the hyphen can be – and not in a copy-editor vs copyeditor kind of way. In 2014 it was dropped from African American in both noun and adjective form. It took another five years for people (inclusivity-respectful editors?) to omit the othering hyphen from Asian American. That hyphen, uncontested for too long and providing clarity for nobody, snags even more when you view it against an editing cornerstone: introduce punctuation only to avoid ambiguity.

So, a round-up lesson for all of us is to be more confident in querying the ‘correctness’ of punctuation, not just when it challenges convention, but sometimes when it doesn’t.

Riffat Yusuf is a West London-based proofreader and copyeditor, and a content editor for a small structural engineering company. She has been editing since 2018, and before that she taught ESOL for 10 years and brought up her family. In the dim and distant past she was employed in journalism, radio and television. In the future, she’d like to work on ELT resources.

 


‘A Finer Point’ was a regular column in the SfEP’s magazine for members, Editing Matters. The column has moved onto the blog until its new home on the CIEP website is ready.

Members can browse the Editing Matters back catalogue through the Members’ Area.


Photo credits: comma (butterfly) Michael Weidner; cups of tea Joanna Kosinska, both on Unsplash.

Proofread by Alice McBrearty, Entry-Level Member.
Posted by Abi Saffrey, CIEP blog coordinator.

The views expressed here do not necessarily reflect those of the CIEP.

Punctuating quotes: UK and US differences

Outside or inside, before or after? Punctuating quotes can be a bit of a minefield, as Luke Finley points out.Us-UK English

A quick search on the SfEP forums reveals that punctuating quotes is an area that trips many of us up – and not just those with less experience. This isn’t a surprise, because there’s extensive variation in the conventions. In this column I focus on quotes in non-fiction texts: conventions for reported speech in fiction are arguably even more subjective.

Academic/formal writing

In academic writing and other materials that cite in a strict academic style (policy papers and the like), the conventions are fairly fixed.

UK/US variation

In US English, closing punctuation goes inside the quote marks, whether the quote is a complete sentence or not, and whether the punctuation was there in the original quoted material or not:

Svolik identifies the “twin problems of dictatorship,” going on to explore how different institutions address these problems.

In UK English, in the same example the comma would follow the closing quote mark (which would more usually be a single quote mark – but that’s another story). However, UK English does put the closing punctuation inside the quote marks if the quote is, or ends with, a complete sentence:

Balkin says that ‘almost all political activity may be constitutional. Often we may only know what counts later on, when practice and precedents become settled.’

Punctuating with citations

Where a parenthetical citation (eg in author–date style) appears immediately after the quote, the punctuation follows it, in UK or US style:

‘… precedents become settled’ (Balkin, 2011).

Displayed quotes

In displayed quotes there are typically no quote marks to interfere with the closing punctuation. In this case, if there is a citation it follows the closing punctuation:

… precedents become settled. (Balkin, 2011)

Other non-fiction texts

Separating quotes from text

Where quoted material is part of a longer sentence, it’s often separated from the text using commas:

He said, ‘show me where the comma should be’.

In more formal writing, or where the quoted material is longer, a colon might take the place of the comma. Or it might be omitted altogether for very short quotes or where the quote is integrated into the syntax of the sentence:

About commas, he said simply ‘Hate them!’

He said that he was kept awake at night worrying about ‘the horrors of punctuation’.

Punctuation inside or out?

The UK approach is generally to be guided by whether or not the punctuation ‘belongs’ to the quoted matter. ‘Belongs’ is often interpreted (eg The Economist Style Guide goo.gl/w52udb) to mean a natural pause regardless of how the original quote was punctuated.

‘This sentence’, she said, ‘has a full stop but no commas.’

‘On the other hand,’ she continued, ‘this sentence has both.’

The US approach – which is common in British fiction and increasingly in journalistic writing – is to punctuate inside the quote marks regardless of whether the sense of the quoted matter requires it.

Use your own good judgement

As is clear from my qualified statements, these are conventions, not hard-and-fast rules. Sources such as Butcher’s Copy-editing and New Hart’s Rules are good for the range of approaches but don’t necessarily tell you which to use in a particular case. Others, such as Trask’s Penguin Guide to Punctuation, offer their own preferred approach – which may be clear and persuasively argued, but doesn’t necessarily preclude a different approach.

In the end, it comes down to your client’s preference, the need for consistency and your own judgement. For example, Trask argues for minimal punctuation – why use additional marks to signal that a quote is coming up when the quote marks already do that job? This notion is attractively straightforward but, as an editor or especially as a proofreader, you won’t always be in a position to impose such an approach.

 

Luke FinleyLuke Finley, an Advanced Professional Member of the SfEP, set up Luke Finley Editorial in 2013 and left the public sector soon after, to edit and proofread full time. He will edit just about anything but specialises in social policy.

 

 


This article first appeared in the SfEP magazine, Editing Matters, in November 2016.


Posted by Abi Saffrey, SfEP blog coordinator.

Picture credit: raphink, on Pixabay.

The views expressed here do not necessarily reflect those of the SfEP.